Is Your No Budget Script Limited?

                The Sky is The Limit on Your No Budget Script

    Just because this is going to be a low to no budget screenplay does not mean that it has to take place in an abandon building or a kitchen. You can include anything that is available in the free world. What I mean by free world is the places all around us that cost nothing to shoot a movie in.

    I understand that you are not shooting the movie, just writing it, but you have to think as if you are. Where can I set my scenes that will cost little to no money while at the same time adding something to my script. Hopefully adding size and or scope to your script. Many free interiors are parking garages, auditoriums, meeting halls. If you include scenes in a school, do not worry about the cost, many schools will allow a film crew to visit just as a teaching exercise. If your story offers positive views of the church, many churches will allow your story to be shot there for free. Many public places will be available for free or a small fee. What I am saying is do not be afraid to add size to your script just because you believe that a location you wish to include will cost too much so why bother. I am telling you to go ahead and included it. If the scene is solid and is necessary for the script it will get shot. If the location you have written about can not be gotten there will be a way to work around it.

    Most out door locations are good. You can always include a athletic fields. Parks, woods, open land. If you are not only the writer, but the film maker as well you will no if there are hills or mountains or water ways near and available. If there are farms or factories or scrap yards that can be used. The size of your free budget is largely up to you.

    Some of you reading this use to live in big towns and near economic centers that have now become much smaller or are past the point of no return. Left behind are factories and shipping centers. Left behind are boat yards, docks and storage areas. They are just waiting there to become a part of your story. These forgotten places can make a no or low budget script seem like a medium to big budget script.

     Thank you for visiting. Remember to add us to your google plus and to stumble us on stumbleupon.

The Found Footage Saga, Cont.

                The Found Footage Saga Cont.

    I keep coming back to found footage for two reasons. First there is a part of me that thinks that it will fade away and die off in its present form. Mostly horror films and dark suspense. And the second reason is that they keep coming. This fall we have a slate of new found footage films, some look good and at least one is a sequel to the found footage franchise Paranormal Activity.

    My last post was about Anthologies and the movie that sparked that post was V/H/S. Found footage told in a multi story format.

    The best series of found footage movies for me at least is the foreign series know as Rec. So far a trilogy of horror films about a demonic plague. I like the concept of the third film, I have not seen it yet. I plan on seeing it on demand this weekend with friends.  The concept seems to revolve around a wedding video. Why hasn’t that territory been tapped sooner. Many film makers start off filming wedding videos to help pay the bills. There are so many stories that can be told using that kind of footage. From drama to screwball comedy.

    The movie Cloverfield showed us that you can start with footage taken at a party and branch off into a totally different direction.

    What I am suggesting is that we need to do different things with this format or it will disappear. Right now I am in the middle of a screenplay where I have decided that the entire second act will revolve around found footage.

    What, what was that? What genre?

    Okay.

    You caught me. It is a horror movie. Hey, I am writing this one to actually shoot, hopefully by the end of the year, and for all involved horror was the best economic choice. Meaning cost to shoot, cost to market and return on investment.

    Keep in mind that no movie has to be made. I cringe when I hear an actor or director say of a movie that it had to be made. No it does not. Pick the ten most important or impressive movies ever released and none of them had to be made. At least breaking even has to be considered when crafting your script. People are going to be investing money based upon your script. This act is going to be the their clearest way of saying that they believe in your talent. Found footage and horror movies are being done because they are cheap to make. They are easy to market. If well done they rarely loose money.

    Money should never be your first thought when writing a low to no budget script, but it should be a factor. Found footage is a response to economics as much as it is a genre that the public is willing to embrace.

    Okay enough about the money talk.

    Here is some advice about your main character in this type of film.

    He or she must be driven. Must be the type of person who could not turn that camera away even if their children were being eaten by wild dogs.

To quote a fantastic episode of Doctor Who, “Don’t Blink.”

    They are the one’s in the story who never blink and you need to answer why before the interesting stuff starts to happen.

    The audience will want to know why he or she won’t drop that camera and run. Why is it so important that they keep shooting. Perhaps it is as complex as the fact that they are obsessive compulsive or as simple as the can not see what is happening without the camera. Give a good reason during the first few minutes and the audience will have one less voice whispering in the back of their minds. 

    Okay, I think that is it for today.

    Remember to add us to your google plus. Stumble us on stumbleupon and tell a few friends about this blog.

    This is where I will make this offer again. If someone out there wants to write a guest post I am open to it. If you have written a low to no budget script or two and you believe that you can offer some good advice. You can contact me by leaving a comment and I will get back to you.

    That is all, now get back to writing guys.

The Anthology Script

            The Anthology Script

    I have heard that the Anthology film is making a comeback. The Anthology for those who don’t know is a film with multiple stories. Usually broken down into 3 to five separate tales. It is most popular in the horror film world. Think about movies such as the original Tales from the Crypt, Black Sabbath, The Creepshow, Cat’s Eyes. Mostly horror films then and mostly horror now.

    There is a lot of room to do an anthology that is not Horror. You could do comedy or action or even drama. There are no rules to writing your no budget screenplay. Not even how the stories are connected. All you really need is a theme and if you don’t have one a narrator will do.

    The last movie that could be consider anthology that played on over a thousand screens would have been Grindhouse, featuring the films Death Proof and Planet Terror.

  

I am bringing this up for two reasons. First there is one V.H.S that is coming to theaters soon and secondly this is a way for those of you who do not feel as if they have a feature script in them to still write a movie. If you can not travel the road of a 90 page feature how about a series of 15 to 40 page short films that combine to make a feature. The cool part of this type of feature film writing is that if you can only deliver one of the stories you could always invite a friend or two to join in. I understand that each director involved is V/H/S has written their own part of the movie that connects up to form a complete story. Did I mention that it is a found footage anthology?

    How do we do an Anthology?

    We use a central location Sin City and connect the stories through events.

    We connect the stories through a few shared characters, again Death Proof and Planet Terror are connected by the sheriff and his daughter the doctor.

    We can connect the stories through the quest for an item or the search for a person.

    You figure out what works best for you. That is part of the fun of this genre. You are the writer and as long as it at least fits a common theme you should be okay.

One of my favorite Anthologies is Trilogy of Terror. The element that connects the three great stories is the lead actress. Karen Black plays the lead in all three films and because it is always her that we meet the stories fit together. Understand to make this work you will most likely need to be the write and director of your script.

    Here is an exercise for you guys. If you have a short script laying around ask yourself is there a character or a location that you can tell a second story with. Is there something that you did not know you left behind until now? Can you add another branch to this tree? Is there a road that you can travel down with what remains of this story? Did it happen months ago or will this new story take place years in the future.

Here are trailers for a drama and a comedy to show that any and all genres can be approached using this format.





   Anything to connect the stories will do. A book, a gun, a note, a ghost, a ring, a person, a death or even a song. Anything will do and you will be well on your way to creating an anthology. If you have friends who write sit down and discuss story ideas. You never know where it might take you. And if all else fails and you need someone to join you on creating your anthology you could always contact me. If you have a great idea I might do thirty pages for the fun of it. After all the secret about writing for me is that I really like to do it. Writing is like drinking, some of us just need an excuse to get started.

    Good luck and I hope to post again soon. Remember to stumble us on stumbleupon, add us to your google plus and to tell a friend about this blog. 

One last thing, did any of you ever consider the fact that Pulp Fiction is an Anthology?

Who is Driving Your Script?

            The Story Driver

    I was reminded by Christopher Nolan’s The Dark Knight Rises about a simple concept that most of us over look and it is the same whether you are writing a script for a three thousand dollar film or a three hundred million dollar blockbuster. The question must be asked, “Who is driving your script?
”
    If it is not the antagonist or villain why not?

    We love our heroes so much we spend little to no time with our villains. This means that most of us will create stories that will soon be forgotten. The strength of Nolan’s last two films have been his Villains.
Both his Joker and now Bane are remarkably complex antagonist who in different ways offer almost overwhelming challenges for the hero.

    Take the time to ask the question, What is it that will give my protagonist the most trouble?  What is it that he or she will not be able to deal with? A character who lives in a world of logic and order will be disrupted and or undone by a force that is all emotion or chaos. A character like Batman who depends upon practiced fighting skills and the power of his technology can be undone by a force that is elementally brutal in its approach to everything. 

    There is a saying in the world of boxing, that if you can trick a boxer into a real fight with a fighter the boxer will lose 19 out of 20 times because the boxer depends upon their plans, their technique and their timing. A fighter depends only upon brute force and instinct.

    What is your lead character?

    Understand this and you will be able to create his opposite and once you have created this opposite give him or her or it a lot of screen time. I believe that the reason why we do not give our villains as much times is that we want to identify with our heroes. Stories have always been about can the hero save the world or the girl. On some level we wish to be that hero and at the same time most of us are afraid to spend too much time with our bad guys, but a bad guy well written can change everything.

    Looking back on the movie Silence of the Lambs is there anyone out there who does not wish that we had been able to spend more time with the character of Hannibal Lecter? He was not only repulsive, evil and ruthless, he was also intelligent and charming and honest in a way that few people will ever be.

    I am going to suggest an exercise for you guys. Write some scenes that are off script with or about your antagonist. By doing this you will be spending some time with them, getting to know them and over time this will help you to create stronger characters.

    Face it, that in the low to micro budget film world your characters have to make up for the lack of effects and sets and size of cast. Those characters are the one thing that you can offer to any size production. Create a great and memorable villain and you have traveled a long way toward creating a quality script.

    Okay, good luck guys. Remember to stumble us on Stumbleupon and to tell a friend about this blog. I wish that I could post more often, but right now I am in the middle of pre-production of a feature that I am aiming to produce around November of this year. So I am spending every free moment looking at equipment and talking to possible crew members and working my day job and trying to get my script just right. If I turn in a movie with a script that does not measure up to what I have been preaching here you guys will tell me about it.

    Each day the director/producer me is constantly yelling at the screen writer me. When will we have a final shooting script? The answer to those parts of me is what Hitchcock would have wanted to hear. “Once the script has been written and then the dialogue added we will be ready to make this movie.”

    I know, I know, we have not talked about writing the script with no dialogue and then adding it in a second or third draft. The next post will most likely be about that subject.

    Good bye for now.

All is in The Name

                Your Script, The Name Game


    There is an expression that many Christian ministers use, “Name it and
claim it.”

    Many of use start a script with Untitled written at the top. Looking back on the scripts that I have finished and the ones that I have not, the ones with a name reached the finish line far more often than the one’s without.

    But the title will change many times once it is done.

    Yeah and so what. That is the future and this is now. Living in the now you need to consider the name game. One of my favorite saying of all time from a really bad movie is spoken by a knight. When it is suggest that he may get lost in this new strange land he is visiting his response is that a man with a purpose can never be lost. The name is the purpose, the direction that your script is going to travel.

    During those muddy thirty to fifty middle pages of your script that name is
the true north that you will travel toward.

    The Sicilian sounds like a nice name for a film, but can that title steer your on a true course as easily as The Godfather. When in doubt, what is this movie about?

    The Godfather?

    Who is under attack?

    The Godfather.

    Who must hold the family and the business together?

    The Godfather?

    Who are they trying to kill?

    The Godfather.

    If the family is to survive who must Michael become?

    The Godfather.

    After all the bullets stop flying and the smoke and dust clears who is left standing?


    Love him or hate him. See him as a villain or hero. What is his name and the name of the film?

    The Godfather.

    Do it with most great films or even good films.

    The Exorcist, The Birds, Titanic, The Jerk, The Hangover, The Artist, Dumb and Dumber, Star Wars, The Empire Strikes Back, Return of the Jedi, The Avengers, Alien, Unforgiven, The Sixth Sense and countless other films.

    You are stuck in the middle of act 2 of your screenplay and Dorothy, the Scarecrow and Tin Man are standing around wondering what to do next. That is easy. There is a yellow brick road. Get back on it and sing that song again. We are off to see Tokyo? New York? The sales at Target? No. The Wizard. The Wonderful Wizard of Oz.

The Reality Test

                Your Script, The Reality Test

        One of the biggest problems that I have noticed in most horror and or action films is that they by pass the basic act of establishing reality. The art of the horror movie is to subvert reality. Or in other words you have to construct a real world before you can de-construct it. I have seen too many movies lately
where the screenwriter hurried passed the basics to get to what they believed to be the heart of the story.

    Let’s talk about the opening of the movie the descent. We get introduced to the lead characters in the opening scene. We are shown not told that they go on adventures together. We get a glimpse into the dominate relationship in the movie, Juno and Sarah.  We see the lead character lose her husband and child in a horrible car accident. We see all the friends gather together at the hospital to check on the one who has survived. We see them a year later. Time for another adventure that they hope will help heal their still damaged friend. We see all of this in the first fifteen minutes of the film and if not for all of this real world business what happens beneath the earth in those caves would not nearly have the same impact.

The  Descent

    Getting to know the characters and the world that they live in can only make the horror more intense when we watch that world being picked apart. The movie that did this better than any other was of course The Exorcist. We get almost a half an hour of real world before we are slowly let in on the fact that something supernatural is happening.

    I am going to agree with Neil Marshall on the fact that Deliverance is sort of a horror movie. Call it a thriller if you wish, but it does follow the rule of establishing reality. Then watch that reality get torn apart by men who see life and death in a completely different way.


    The problem with the majority of horror films being written today is that logic and reason are thrown out the window. Shock and gory replaces real suspense and what are you left with? A film that is seen once, then laughed at and soon forgotten. I want more And I believe that so do you. If you did not you would not be reading this blog.

    Here is what I am going to suggest. You can write your script anyway that you wish, but when you rewrite it I want you to keep your eye on reality.

Does my script occupy a recognizable world?

    But I am writing a walking dead film.

    Really?

    Let’s time travel back to the first one and see if George Romero established the real world first. A brother and sister visiting a grave. The brother is picking on his sister. Real world as can be until the dead guy walks up and then their world and the world of horror films is forever changed.

    Last movie to look at is The Sixth Sense. This film is as well written as any movie ever written. The opening scenes with Bruce Willis and the wife are the scenes that make the rest of the movie possible. It shows you a world that is so familiar and easy to relate to that we never question the reality that his character brings with him until the very end of the film.

    You do not have to do it that well, but well enough so that we know the world that the characters are fighting to get back to. That we can relate to the world that has fallen apart, it is easy to relate to it: after all it looks a whole lot like our own.

Beyond The Writing

                More than Writing is Involved

    We spend so much time and effort on how to write a quality screenplay and not much if any time on why we are writing this screenplay.

    At the end of the day the question that has to be asked is do you love what you are doing? If you don’t and you are doing it only because you have to that is okay. I am not going to tell you that unless you love what you are doing you will do a ass backwards job at it. The purest in the room will say that you will, but some of the best scripts ever written have been jobs rather than labors of love.

    If you are a producer or director and you are the only one that you can afford to hire to write your script then I am here to say that you can do a great job of it. If you are like me, someone whom has been writing most of their lives and love it, you can write a great script.

    The argument that I am working towards is the concept of the business person vs. the artist. If we were here about screenplays in general I would not be doing this, but this blog is about ultra low to no budget screen writing. You have a story that the artist believes demands certain things and you have this voice always whispering that is going to kill the budget. You can not put that in the script, it will cost to much and get cut out later. My response is put it in the script. Get through the first draft by any means necessary and then if that amazing part of the script that also cost far to much to be included has to be cut out, then do it. Cut it out. Find a way to save some of it or to rework it at a lower cost and put it back in later.

    The business person would never include that part of the script, but the writer/artist can not help his or herself. Maybe someday you can or will become both. The greatest filmmaker of all time was Hitchcock, one day he decided to make at the time a ultra low budget film. He founded a story and hired a writer named Joe. Together they crafted a screenplay that had limited cast, limited locations, limited setups, limited need for special effects or even makeup effects. He hired a tv crew instead of his film crew to shoot this movie. He shoot it in black and white instead of color. The name of the movie was Psycho. Some believe that it was his best movie (I think it was Shadow of a Doubt) and he did it will low budget considerations in mind. He did not have to, Hitchcock chose to and with those restrictions came greatness. Limiting location and sets and cast does not limit the possibility of creating something great.

    You can be artist and writer and business person and do something remarkable.Good luck and write everyday.